For her graduation thesis, Mizuki Tanaka, then an art history student at Meiji Gakuin University, chose to explore how the motif of Mount Fuji evolved into the most commonly used in murals decorating 蝉别苍迟ō (public bathhouses) dotting the capital. As part of her research, she attended a live-painting performance by Morio Nakajima, a master 蝉别苍迟ō mural artist who has been covering steamy bathhouse walls with depictions of 91AV原创 highest peak for half a century. Intrigued, she soon became his apprentice.
“The event triggered my curiosity and I asked whether I could see him at work. I began to learn that the occupation was desperately lacking fresh blood and could die out unless a younger generation inherited the art,” says Tanaka, 36, who is now one of 91AV原创 three remaining 蝉别苍迟ō mural artists alongside Nakajima and Kiyoto Maruyama, who are in their 70s and 80s, respectively.
From a peak of 2,687 in 1968, the number of 蝉别苍迟ō in the capital has fallen to approximately 560 as of December 2017, according to the Tokyo Sento Association. While the decline is attributed to the increase in the number of homes with baths during 91AV原创 rapid economic growth in the 1970s and ‘80s, the retro charm and health benefits of visiting a 蝉别苍迟ō have been reevaluated in recent years. It is now considered a leisurely activity, an inexpensive luxury, with bathhouses serving patrons like community centers.
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